You searched , Maker: “G. Methuin

Show me:
and
Clear all filters

  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • 4 items Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore

Select a time period

Or choose a specific year

Clear all filters

Nathaniel Crew, 3rd Baron Crew of Stene (1633-1722), Bishop of Durham

studio of Sir Godfrey Kneller (Lübeck 1646 - London 1723)

Category

Art / Oil paintings

Date

1698 (after) - 1740

Materials

Oil on canvas

Measurements

737 x 610 mm (29 x 24 in)

Place of origin

England

Order this image

Collection

Kedleston Hall, Derbyshire

NT 108813

Summary

Oil painting on canvas, Nathaniel Crew, 3rd Baron Crew of Stene (1633-1722), Bishop of Durham, studio of Sir Godfrey Kneller (Lübeck 1646/9 - London 1723), inscribed: Nathanielis Baro Crewe Episcopus Dunelmensis / Obt. Anno Dni. 1722. Aetatis suae 88 / Consecrationis 51 A half-length portrait, turned to the left, gazing at the spectator, dressed in crimson gown. The original, three-quarter-length painting, dated 1698 is now in the Bodleian Library, Oxford. Lord Crewe is supposed to be the first peer to have held a bishopric. He was Bishop of Oxford from 1671 to 1674, and Bishop of Durham from then until his death, and stood in high favour under James II. Despite two marriages, he died childless, and the barony became extinct. His aunt, Patience, married Sir John Curzon, lst Bt, and both families seem to have adopted the name Nathaniel for their children about the same time

Provenance

Given by his old tutor, Robert Mather, to Sir Nathaniel Curzon; recorded in Lady Scarsdale’s Dressing Room by 1769; and thence by descent until bought with part of the contents of Kedleston with the aid of the National Heritage Memorial Fund in 1987 when the house and park were given to the National Trust by Francis Curzon, 3rd Viscount Scarsdale (1924-2000)

Credit line

Kedleston Hall, The Scarsdale Collection (acquired with the help of the National Heritage Memorial Fund and transferred to the National Trust in 1987)

Marks and inscriptions

Pracellenti Viro, faneto, erudito, comi, benefico, D no. Nathanieli Curzon Bart Tabulam hanc, Grato qou par est animo, d.d. R.M. 1751 (mark, painted, bottom of frame on moulded shield device, black text on gold)

Makers and roles

studio of Sir Godfrey Kneller (Lübeck 1646 - London 1723), artist

References

Warner 1802 Rev. R.Warner, Tour through the Northern Counties, 1802, Kiddlestone House [sic], vol.I, pp.124-5

View more details