Stone pedestal for David
probably Italian (Florentine) School
Category
Art / Sculpture
Date
1801 - 1899
Materials
Stone
Place of origin
Florence
Collection
Anglesey Abbey, Cambridgeshire
NT 515123.2
Caption
This image of David, only wearing a helmet, has been described as the first nude of the Renaissance. He is triumphantly standing, hand on hip, with the head of Goliath under his foot and holding the dead giant’s massive sword.Goliath was a Philistine hero who, according to the biblical story in I Samuel 17 was nine feet tall. He challenged the Israelites saying that their best warrior should fight him and if he won, the Israelites would be his slaves, but if he lost, the Philistines would be enslaved. Goliath issued his challenge for forty days but no one was brave enough to meet him in single combat until the young shepherd, David, came forward without armour or sword. He killed Goliath using a stone and a sling and cut off his head with Goliath’s own sword. The biblical subject was a symbol of true Faith over Heresy.
Summary
Stone pedestal for bronze David, probably Italian (Florentine) School, after Donatello (Florence c.1386 – Florence 1466), probably 19th century. The base rendered as a laurel wreath. With grey-green patination.
Full description
The original bronze is believed to have been commissioned by Cosimo de'Medici (1389-1464), the banker, politician and great patron of the arts who was the first Medici to de facto rule the Republic of Florence. David has been interpreted as a symbol of Florentine liberty and civic virtue when the Republic was being threatened by rival, despotic Italian states. The statue is celebrated as the first known free-standing nude in bronze to have been produced since antiquity. This copy was likely cast in the 19th century when the vogue for replicas of Renaissance works of art was at its height. A bronzed plaster cast is in the Cast Courts of the Victoria and Albert Museum, London (inv. no. REPRO.1885-197). Alice Rylance-Watson 2019
Credit line
Anglesey Abbey, The Fairhaven Collection (The National Trust)
Makers and roles
probably Italian (Florentine) School, founder after Donatello (Florence c.1386 – Florence 1466), sculptor
References
Roper 1964: Lanning Roper, The Gardens of Anglesey Abbey, Cambridgeshire. The Home of Lord Fairhaven, London 1964, p. 61. Christie, Manson & Woods 1971: The National Trust, Anglesey Abbey, Cambridge. Inventory: Furniture, Textiles, Porcelain, Bronzes, Sculpture and Garden Ornaments’, 1971, p. 158.