A figural torchère
probably Italian (Venetian) School
Category
Art / Sculpture
Date
c. 1875 - c. 1900
Materials
Pine, polychrome and gilt gesso
Measurements
1455 x 360 x 290 mm
Place of origin
Italy
Order this imageCollection
Sheringham, Norfolk
NT 800416
Summary
A figural torchère, carved of pine with gilt and polychrome gesso, probably Italian (Venetian) School, c. 1875-1900. A torchère in the form of a figure standing in contrapposto, the body ebonised, wearing an elaborately patterned dress painted with polychrome gesso and gilding, and anklets, knee-bands, armbands and a turban of similar design. The proper right hand is raised and holds a gilt flambeau, the proper left raised across the body, the palm facing up, as if dancing. On a square ebonised base.
Full description
The figures derive from a European aesthetic tradition called the ‘blackamoor’, a conflation of the Black African and Muslim ‘Moor’. In material culture the term was used to describe highly stylised, often stereotyped representations of Black African people, wearing exotic and orientalised costume and often assuming subservient positions. The motif has existed in western decorative art since the medieval period but developed into a recognisable type in Italy, chiefly Venice, from the 17th century. The ornamental body of the ‘blackamoor’ could also perform a function, as a supportive element in furniture, or as a stand to hold objects or food. The motif is seen across European decorative arts from ceramics to silverware, heraldry to jewellery, furniture to sculpture, architecture, painting and print (e.g. NT 1254497, 452977, 936871, 118826, 129512, 802613, 1139940). ‘Blackamoor’ figures were manufactured for the luxury European market and displayed by their owners as markers of power and wealth.
Makers and roles
probably Italian (Venetian) School , furniture maker