Virginia Woolf (1882-1941)
Vanessa Bell (Kensington 1879 – Firle 1961)
Category
Art / Oil paintings
Date
circa 1912
Materials
Oil on panel
Measurements
410 x 310 mm
Place of origin
Sussex
Order this imageCollection
Monk's House, Rodmell, East Sussex
NT 768417
Caption
This tender portrait of the emerging writer Virginia Woolf (1882–1941) was painted by her sister, the artist Vanessa Bell (1879–1961). Both women were founder-members of the Bloomsbury Group, a circle of writers and artists who challenged what they considered to be outmoded Victorian conventions of creative endeavour. At the time of this portrait, Virginia was completing her first novel, The Voyage Out (1915), and Vanessa was launching her career as a professional artist. The portrait captures Virginia’s thin frame, long aquiline nose, heavy- lidded eyes and slightly resigned expression. Vanessa used this sitting as an opportunity to experiment with a technique she had observed in the portrait The Girl with Green Eyes (1908) by the French artist Henri Matisse (1869–1954). She described this as attempting to paint ‘in an entirely new way’ by considering a ‘picture as patches’. The portrait was purchased in 1984 for display at Monk’s House, the Sussex home that Virginia bought in 1919 and decorated in a way that expressed her artistic sensibility.
Summary
Oil painting on panel, Virginia Woolf (1882-1941) by Vanessa Bell (Kensington 1879 – Firle 1961), circa 1912. A half-length portrait of Virginia Woolf, facing, gazing towards proper right, seated at a table, her forearms resting atop it and hands clasped at centre. Woolf with brown hair pinned up and wearing a blue blouse, brooch and pale blue cardigan with green trim. Probably painted at Asheham House, Sussex, which Leonard and Virginia Woolf occupied for holidays and weekends from 1912 until their marriage in 1919.
Full description
1912 was an important year in Vanessa Bell's career. She was closely involved in the Second Post-Impressionism Exhibition (organised by Roger Fry) and produced a group of major works including a series of four portraits of her sister, Virginia Woolf. Her use of dark outlines and short, choppy brushwork are characteristic features of the British avant-garde response to the work of Cézanne, instigated by Fry, who was Bell’s lover at the time. Fry produced a similar portrait of Woolf, wearing the same clothing as she wears here (private collection; on loan to Leeds Art Gallery).
Provenance
Purchased by National Trust in 1984 from Sotheby's
Credit line
Monk’s House, Rodmell, The Virginia & Leonard Woolf Collection (National Trust)
Makers and roles
Vanessa Bell (Kensington 1879 – Firle 1961), artist
Exhibition history
Vanessa Bell (1879 - 1961), Dulwich Picture Gallery, London, 2017, no.p.64
References
The National Trust Magazine, Number 91 Autumn 2001, p. 25 (Alan Bennet: A favourite painting) Virginia Woolf: Art, Life and Vision (ed. Frances Spalding), National Portrait Gallery, London, 10 July to 26 October 2014 Vanessa Bell (Ed. Sarah Milroy & Ian A. C. Dejardin) published on the occasion of the exhibition: Vanessa Bell , Dulwich Picture Gallery, London, 8 February - 4 June 2017, p.64, p.69, p.198 Strachey 2018: Nino Strachey, ‘Virginia Woolf: Patron and Maker’, National Trust Historic Houses & Collections Annual, Apollo, 2018
