Niobe (after Richard Wilson)
William Woollett (Maidstone 1735 - London 1785)
Category
Art / Prints
Date
1761 - 1762 (exh)
Materials
Paper
Measurements
570 x 705 x 60 mm
Place of origin
London
Order this imageCollection
Dunster Castle, Somerset
NT 725480
Caption
Wilson exhibited a second painted version of The Destruction of Niobe (now in Yale Center for Brish Art) at the first Society of Artists exhibition in 1760 and William Woollett was commissioned by John Boydell to engrave the composition. It was commissioned along with three other celebrated landscapes from the exhibition and one of Boydell's first forays into contemporary fine art publishing. Woollett was offered the unprecedented fee of 100 guineas for it and a further two payments of £25 as the complexity for the engraving became apparent. The print was exhibited at the 'Free Society' in 1762 and praised by John Lockman in a poem in the Public Adverstiser (5 November). Niobe brought profits of £2,000, unprecedented for an engraving after a landscape by a British artist and it sold especially well in France.
Summary
Engraving with etching on paper, Niobe (after Richard Wilson) by William Woolett (Maidstone 1735 – London 1785), 1761. Niobe, Queen of Thebes had seven sons and seven daughters and thought she was more fit to be worshiped than the goddess Latona (Leto) who only had two children, Apollo and Diana. The goddess commanded her children to slaughter those of Niobe, who wept until she turned to stone. The story is related in the Roman poet Ovid's Metamorphoses VI:144-312 and is a famous group of Antique sculptures in the Villa Medici, Rome which Wilson sketched there in 1752. He painted two versions of the subject, one in Rome for the 3rd Duke of Bridgewater and is thought to be the prime version in a private collection. Another version he exhibited at the Society of Artists in 1760 which was bought by William Augustus, Duke of Cumberland (1721 - 1765), uncle to George III, and owned by his nephew, William Henry, Duke of Gloucester (1743 - 1805) and subsequently Wynn Ellis (1790 - 1875) is now in the Paul Mellon Collection, Yale Center for British Art.
Makers and roles
William Woollett (Maidstone 1735 - London 1785), engraver (printmaker) after Richard Wilson (Penegoes 1714 - Mold 1782), artist
References
Fagan 1885 Louis Fagan, A Catalogue Raisonné of the Engraved Works of William Woollett, London, 1885, XLII Constable 1953 W. G. Constable, Richard Wilson, London, 1953, 161 notes with pl. 19a Jones 1803 Thomas Jones, "Memoirs of Thomas Jones, Penkerring, Radnorshire, 1803," ed. A.P. Oppé, Walpole Society (1946 - 83) 32 (1951): i-vi, 2 -162 Godfrey 1978 R. T Godfrey, Printmaking in Britain, Oxford, 1978, 43-45 Clayton 1997 Timothy Clayton, The English Print 1688 - 1802, New Haven and London, 1997, 186, 188-9 Layfield 2010 Laura Layfield, Richard Wilson: Landscape Painting for a New Exhibition Culture. MA Thesis, University of York, 2010, 29-32