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A man, gazing to the left, his left hand supporting his chin

Thomas Frye (c.1710 - 1762)

Category

Art / Prints

Date

1760

Materials

Paper. glass. wood

Measurements

610 x 470 mm

Place of origin

England

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Collection

Mompesson House, Wiltshire

NT 723979.3

Summary

Print, mezzotint engraving, A man, gazing to the left, his left hand supporting his chin by Thomas Frye (Dublin 1710 – London 1762) - One of six Thomas Fry mezzotints. Man facing and looking towards left, leaning towards front on left elbow, hand to chin, forefinger pressed against cheek. At bottom to right, 'T.F.'. Under, scratched, 'Thos Frye. Pictor, Invt and Sculpt Hatton Garden 1760.' In a black frame with internal gilded border. Number 17 (same as person number 14 (MHS/D/41f)) in 'British Mezzotints'.

Full description

Print, mezzotint engraving, A man, gazing to the left, his left hand supporting his chin by Thomas Frye (Dublin 1710 – London 1762) - One of six Thomas Fry mezzotints. Man facing and looking towards left, leaning towards front on left elbow, hand to chin, forefinger pressed against cheek. At bottom to right, 'T.F.'. Under, scratched, 'Thos Frye. Pictor, Invt and Sculpt Hatton Garden 1760.' In a black frame with internal gilded border. Number 17 (same as person number 14 (MHS/D/41f)) in 'British Mezzotints'. Extract from 'British Mezzotints' relating to those at Mompesson House (NT reference in brackets). 'These prints were mentioned as portraits, but the personages are not stated, (with the exception of Thomas Frye (MHS/D/41d), and names have been guessed for several without any really sound reason. From examination, it would seem likely that the first set of twelve (including NT mezzotints MHS/D/40g and MHS/D/41a-f) were drawn from persons sitting as models, probably some of the painter's own family and acquaintances, and that the second set of six (NT mezzotints MHS/D/40 a-f) were elaborated afterwards from sketches taken at the theatre, or perhaps from recollection only; but however this may be, their great artistic merit must be admitted.'

Makers and roles

Thomas Frye (c.1710 - 1762), artist

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