You searched , Subject: “Epitaphs -- Early works to 1800. -- Great Britain

Show me:
and
Clear all filters

  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore
  • Explore

Select a time period

Or choose a specific year

Clear all filters

Queen Tomyris and the Head of Cyrus

after Sir Peter Paul Rubens (Siegen 1577 - Antwerp 1640)

Category

Art / Oil paintings

Date

1800 - 1899

Materials

Oil on paper laid down on canvas

Measurements

381 x 597 mm (15 x 23 1/2 in)

Place of origin

Flanders (Belgium from 1830)

Order this image

Collection

Attingham Park, Shropshire

NT 608960

Caption

This is a version after the original, which is now in the Museum of Fine Arts, Boston, which was painted around 1618. The scene depicts an episode from the classical historian, Herodotus. Tomyris’s army was led by her son, who was tricked by Cyrus into participating in a great feast, which enabled him to slaughter many of the soldiers. Tomyris’s son killed himself in shame, an act which his mother swore to revenge. In the ensuing battle Cyrus was killed, and in this picture we see his severed head being dipped in an urn of human blood by a servant. Depictions of this scene were chosen because they were seen to be symbolic of justice.

Summary

Oil painting on paper laid down on canvas. Queen Tomyris and the Head of Cyrus (Head of Cyrus brought to Queen Tomyris), after Peter Paul Rubens (Siegen 1577 – Antwerp 1640), 19th century. The gruesome subject is Queen Tomyris's revenge on Cyrus the Great of Persia for having defeated her son by trickery and causing him to commit suicide. The Queen stands to the left looking at the head held over a bowl of blood. This is a late copy of the picture which was formerly in the collection of Lord Darnley and is now at the Museum of Fine Arts, Boston. There is a possibility that there may once have been a large version of the subject at Attingham. The evidence for this is the purchase price of £100 and the sentence in a letter of 8 May 1824 from William Hill to his brother Lord Berwick to the effect that in Woodburn's opinion the Rubens is better than Lord Darnley's.

Provenance

Attingham collection; bequeathed to the National Trust with the estate, house and contents of Attingham by Thomas Henry Noel-Hill, 8th Baron Berwick (1877-1947) on 15th May 1953.

Credit line

Attingham Park, The Berwick Collection (National Trust)

Marks and inscriptions

16 (on frame)

Makers and roles

after Sir Peter Paul Rubens (Siegen 1577 - Antwerp 1640), artist

View more details