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Tureen and cover

Wedgwood

Category

Ceramics

Date

circa 1774 - circa 1775

Materials

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Collection

Shugborough Estate, Staffordshire

NT 1270555

Summary

Wedgwood and Bentley round cream bowl and cover for a dessert, creamware (Queen’s ware), of lobed shape with two handles on a spreading foot, the cover with spherical finial, painted in colours with named views of Shugborough, Richmond Castle, Yorkshire, and Ludlow Castle, Shropshire, wreathed in ivy with gadrooned and line borders in brown. The cream bowl and cover were made in Etruria, Staffordshire, and painted in the factory’s decorating studio in Cheyne Row, Chelsea, London, circa 1774-5.

Full description

Wedgwood and Bentley round cream bowl and cover for a dessert, creamware (Queen’s ware), of lobed shape with two handles on a spreading foot, the cover with spherical finial, painted in colours with named views of Shugborough, Richmond Castle, Yorkshire, and Ludlow Castle, Shropshire, wreathed in ivy with gadrooned and line borders in brown. The cream bowl and cover were made in Etruria, Staffordshire, and painted in the factory’s decorating studio in Cheyne Row, Chelsea, London, circa 1774-5. The cream bowl and its separate cover have historically sat on two different Chinese hardwood stands, one circa 18th Century (see National Trust Inventory Number 1271547) and the other circa 20th Century (see National Trust Inventory Number 1271548), although neither stand is thought to be a component part of the bowl.

Provenance

The first mention of the Shugborough cream bowl and cover is in an undated valuation dating to the start of WWII, described as ‘Empress Catherine of Russia dinner service piece trial, Wedgwood sauceboat and stand, £50’. The long-forgotten Russian service was only re-discovered and popularized in a London exhibition in 1909, which brought similar examples on to the art market resulting in several sales of comparable material. It may have been acquired by Thomas Anson, 3rd Earl of Litchfield (1856-1918), who was keenly interested in family history, and corresponded with many authorities, including Francis "Frank" Hamilton Wedgwood (1863-1930), a descendent and partner in the firm, who assisted with the exhibition.

Makers and roles

Wedgwood , maker

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