The Oxburgh Retable: Saint Ambrose and Saint Augustine
follower of Pieter Coecke van Aelst, the Elder (Aalst 1502 - Brussels 1550)
Category
Art / Oil paintings
Date
1520 - 1530
Materials
Oil on panel
Order this imageCollection
Oxburgh Hall, Norfolk
NT 1209874.6
Summary
Composite altarpiece, exterior, left wing closed, oil painting on panel, The Oxburgh Retable: Saint Ambrose and Saint Augustine, follower of Pieter Coecke van Aelst the elder (Aalst 1502 - Brussels 1550), 1530-30.
Provenance
Made for an unknown location; reputedly acquired by Sir Henry Bedingfeld, 6th Bt (1800-62) in Bruges, where his sister was a nun for nearly fifty years but possibly really obtained (like some of his furniture) by him from the Belgian woodcarver (responsible for the added figures?) and dealer, Malfait, to replace the upper part of the neo-Gothic tabernacle originally installed in the Chapel when it was built (1835-37); or even by Sir Henry Bedingfeld, 7th Bt (1830-1902), since the widow of the 8th Bt - yet another Sir Henry (1860-1941) - claimed that her husband remembered its arrival at King’s Lynn [which has caused Christa Grössinger (op.cit.infra, p.171) to say that it was bought in King’s Lynn in the 1860s - this seems the most probable, since it seems unlikely that the 6th Bt, who had only had the tabernacle made less than thirty years before his death, should have swept it away so soon; it is still visible in Matilda Bedingfeld’s watercolour of the interior of the Chapel, done shortly before her marriage to Captain Neville in 1855]; thence, by descent, in situ, until bought by the National Trust in 1982, with the aid of grants from the National Art Collections Fund, The National Heritage Memorial Fund, and the Victoria & Albert Museum-administered purchase support fund
Makers and roles
follower of Pieter Coecke van Aelst, the Elder (Aalst 1502 - Brussels 1550), artist