The Vintage
William Collins I (London 1721 - Tothill 1793)
Category
Art / Sculpture
Date
circa 1765 - 1769
Materials
Plaster in gilt frame
Measurements
1045 x 1045 mm; 960 mm (Diameter)
Place of origin
London
Order this imageCollection
Kedleston Hall, Derbyshire
NT 109025.2
Summary
Plaster in gilt frame, The Harvest and the Vintage, William Collins (London 1721–1793), c.1765-69. A pair of plaster medallions depicting the harvest and the vintage by William Collins; installed above the west end doors of the Dining Room at Kedleston Hall. The Vintage depicts classical figures harvesting grapes to make wine. At right is Bacchus, the Roman god of wine, wearing a wreath of vine, a chlamys, and holding the thyrsus: a staff topped with a pinecone. With his proper right hand Bacchus holds up a bunch of grapes from the barrel before him. The maiden at left, dressed in billowing drapery, tips more grapes into the barrel from a basket. A woman in the foreground picks grapes from an ancient vine and two putti frolic nearby, eating grapes greedily and gleefully. Mounted on a pedestal in the background is a statue of Bacchus raising a drinking cup with one hand and cradling a baby faun at his side. The statue recalls Sansovino's statue of Bacchus, a cast of which Nathaniel Curzon acquired for Kedleston from Joseph Wilton in 1757 (NT 108991).
Full description
William Collins was a sculptor in marble and modeler in plaster renowned for his pastoral, mythological and religious scenes. A pupil of Sir Henry Cheere (1703-81), Collins was one of the founding members of The Society of Artists, Britain's first exhibiting society. In 1763 he set up his own workshop in Westminster which specialised in decorative sculpture for country houses. At Harewood House and Kedleston Hall he worked under Robert Adam, producing for Kedleston five medallions on the North Front portico (c. 1760-63) and this pair of medallions depicting two of the themes he had used on the North Front, the vintage and harvest, reinterpreted for the appropriate setting of a Dining Room. The medallions feature Bacchus, Roman god of wine, and Ceres, Roman goddess of agriculture, who appear in two of the three statues mounted on the pediment of the North Front portico. Ceres also features on the Scarsdale coat of arms. The medallions were commissioned to replace a pair of circular over-door paintings described in the 1758 Kedleston catalogue as the 'Sacrifices to Hygeia'. The paintings can be seen in NT 109448, a 1762 design by Robert Adam for the west end of the Dining Room. A later design (c.1765; NT 109477), which shows two plaster roundels instead of paintings, is inscribed, supposedly by Lord Scarsdale (1726-1804), 'Vintage' and 'Harvest', suggesting that plans were by then afoot to replace the over-door paintings with plaster medallions. William Collins' ink and wash designs for the Dining Room medallions are still held at Kedleston: see NT 109253 for 'The Vintage', much closer to the final design (NT 109025.2), and NT 109254 for 'The Harvest', considerably different from the final medallion (NT 109025.1). A near-identical plaster medallion for 'The Vintage' is held at Sir John Soane's Museum, London, where over 80% of Robert and James Adam's office drawings can be seen (inv.no. H14). Alice Rylance-Watson March 2019
Provenance
Purchased by Nathaniel Curzon, 1st Baron Scarsdale (1726-1804); identifiable as 'Vintage .. Basso Relievo' and 'Harvest .. Ditto [i.e. Basso Relievo]' in the 'Catalogue of the pictures, statues, &c. at Kedleston', 1769 (p.21); purchased with part of the contents of Kedleston with the aid of the National Heritage Memorial Fund in 1987 when the house and park were given to the National Trust by Francis Curzon, 3rd Viscount Scarsdale (1924-2000).
Credit line
Kedleston Hall, The Scarsdale Collection (acquired with the help of the National Heritage Memorial Fund and transferred to The National Trust in 1987)
Makers and roles
William Collins I (London 1721 - Tothill 1793), sculptor