Elizabeth Hardwick, later Talbot (‘Bess of Hardwick’), Countess of Shrewsbury (1520-1608)
follower of Hans Eworth (Antwerp c.1525 – ?London after 1578)
Elizabeth Talbot, Countess of Shrewsbury (?1527– 1608) – better known as Bess of Hardwick – was widowed four times and died one of the richest women in England. She served Queen Elizabeth I (1533–1603) as a gentlewoman of the chamber and proved loyal, remarkably resilient and energetic. She was not only active in promoting her family interests but also developed a passion as a patron of the arts. Her finest achievement remains perhaps one of the most beautiful houses in England: Hardwick Hall in Derbyshire, which still has multiple copies of her initials ‘ES’ standing proudly on the roof. Few other women of this time had such a legacy or claimed such influence. This portrait shows her when married to William St Loe (c.1520–65), Captain of the Queen’s Guard, who left her a considerable fortune on his death. She appears finely dressed in a fur-lined gown and gemstone rings. Characteristically, the portrait shows both her strength of character and high status because she appears facing towards the viewer’s right, a placing more traditionally reserved for men.
Oil painting on panel, Elizabeth Hardwick, later Talbot (‘Bess of Hardwick’), Countess of Shrewsbury (1520-1608), follower of Hans Eworth (Antwerp c.1525 – ?London after 1578). Inscribed above shoulder, centre left (a later false addition): MARIA REGINA. A three-quarter-length portrait of Elizabeth Hardwick, later Talbot, turned slightly to the right, wearing a black dress lined with white fur split with aglets, and with white fur collar, embroidered red and white sleeves and red hat decorated with pearls, her hands clasped in front with gloves; ginger hair. The sitter was previously identified as Margaret Douglas, Countess of Lennox and Mary I.
Listed in inventory of the contents of Hardwick Hall, 1601, and attached to the will of Elizabeth Hardwick,Countess of Shrewsbury (c.1520-1608); listed in Edward Swift, 1811, Picture Gallery as '3/4 of Queen Mary; and thence by descent until, following the death of Edward William Spencer Cavendish, 10th Duke of Devonshire (1895 - 1950), Hardwick Hall and its contents were accepted by HM Treasury in part payment of death duties and transferred to the National Trust, in 1959.
Hardwick Hall, The Devonshire Collection (acquired through the National Land Fund and transferred to The National Trust in 1959)
Marks and inscriptions
Left, above shoulder: MARIA REGINA
Makers and roles
follower of Hans Eworth (Antwerp c.1525 – ?London after 1578), artist
House Style: five centuries of fashion at Chatsworth, Chatsworth House, Bakewell, 2017 Elizabeth 1 and Her People, National Portrait Gallery, London, 2013 - 2014, no.28
Strong 1969 Roy Strong, Tudor and Jacobean Portraits, National Portrait Gallery, London 1969 [2 vols], pp. 287-8. Ashleford 1996 Jane Ashleford, The Art of Dress: Clothes and Society 1500-1914, London, 1996, pp. 24-5. Durant 1999 David Norton Durant, Bess of Hardwick. London, Peter Owen, 1999 Hardwick Hall, Derbyshire 1999 [The National Trust: Mark Girouard] 1989, revised 1999, p. 68. Levey and Thornton, 2001: Santina Levey and Peter Thornton (eds.), Of Household Stuff: The 1601 Inventories of Bess of Hardwick, London 2001, pp. 52-3. Elizabeth I and Her People, National Portrait Gallery, London, 10 October 2013 - 5th January 2014 , p. 103, no. 28. Adshead and Taylor 2016: David Adshead and David A.H.B. Taylor (eds.), Hardwick Hall, a great old castle of romance, New Haven and London 2016, pp. 73-4.