Queen Elizabeth I (1533–1603)
||Oil on canvas
||2235 x 1689 mm (88 x 66 ½ in)
|Place of origin
The portrait concurs with others of the ‘Armada’ type, painted after 1588, in which the Queen is characterised by a rigid and hieratic expression and depicted almost as an impersonal image. It has been suggested that this is the portrait of the Queen that was brought from London to Hardwick in 1599.
It is thought that it was Bess of Hardwick (by then Countess of Shrewsbury), who masterminded the design of the embroidery on the Queen’s dress, and possibly worked on it herself, intending it to be a spectacular New Year’s Day gift to the Queen. It is typical of the extravagant and sometimes bizarre late-Elizabethan style of embroidery which mixed together all manner of motifs taken from the natural world. A variety of flowers, including roses, irises and pansies, are interspersed with a lively depiction of insects, animals and fish. Sources for these motifs could be found in illustrations in natural history books and emblem books.
Oil painting on canvas, Queen Elizabeth I (1533–1603), studio of Nicholas Hilliard (Exeter 1547 – London 1619), 1592. A full-length portrait, wearing a dress decorated with land and sea creatures, standing, turned slightly to the left on a patterned carpet beside a crimson covered chair with the royal cypher embroidered on the cushion, wearing a crown, elaborate lace collar, white satin dress embroidered with flowers, birds and animals, over which is a black surcoat embroidered with pearl ornaments, holding a fan in her left hand and gloves in her right; the shaded area of the carpet at the bottom seems to denote a step.
Possibly the painting recorded as being transported to Hardwick from London in July 1599 in Chatsworth Archive Hardwick accounts (MS 8 f. 56 v. 19 July 1599); in inventory of the contents of Hardwick Hall made in 1601 and attached to the will of Elizabeth Hardwick, Countess of Shrewsbury (c.1520–1608); recorded by Horace Walpole (1717 - 1797) in 1760 as in the 'Gallerie'; by descent until, following the death of the 10th Duke of Devonshire (1895 - 1950), Hardwick Hall and its contents were accepted by HM Treasury in part payment of death duties and transferred to the National Trust, in 1959
Hardwick Hall, The Devonshire Collection (acquired through the National Land Fund and transferred to The National Trust in 1959)
Makers and roles
studio of Nicholas Hilliard (Exeter 1547 – London 1619), artist
Rowland Lockey (c.1565 – London 1616), artist
previously catalogued as after Federico Zuccaro (Sant’Angelo in Vado c.1541 – Ancona 1609) , artist
Elizabeth I and Her People, National Portrait Gallery, London, 10 October 2013 - 5th January 2014 , 10