Mary, Queen of Scots (1542–1587), aged 36 (after Hilliard)

British (English) School
National Trust Inventory Number 1129104

Category Paintings
Date 1578 - 1601
Materials Oil on panel
Measurements 1943 x 1130 mm (76 ½ x 44 ½ in)
Place of origin England
Collection Hardwick Hall, Derbyshire (Accredited Museum)
On show at Hardwick Hall, Derbyshire, Midlands, National Trust

This is one of the “Sheffield” types of portrait (so called from the belief that the original was painted when Mary was held prisoner there, although it was actually derived from a miniature). The table-covering bears what has been thought to be a signature, ‘P. Oudry’, and the date 1578. An embroiderer of this name was employed by Mary from 1560 to 1567, but there seems no substance for the belief that he was the author of this portrait, and it may have been added in the nineteenth century.

Hardwick became linked with Mary Queen of Scots through romantic legend, but, in fact, the house was not built until after her execution. Nevertheless, with the accession of her son, James, to the English throne, the Cavendishes felt that the connection with the Stuarts should be emphasised and her portrait together with those of her parents, husband and son were hung in the Long Gallery.

Summary description

Oil painting on panel, Mary, Queen of Scots (1542–1587), aged 36 (after Hilliard), British (English) School, possibly by Rowland Lockey (c.1565 – London 1616), after Nicholas Hilliard (Exeter 1547 – London 1619), 1578/1601. Inscribed in small black letters on table-stretcher [clearly a later addition]: P. OUDRY PINXİT and in yellow, top left: MARIA / D G / SCOTIÆ / PIISSIMA REGINA / FRANCIÆ DOWERIA / ANNO / ÆTATIS REGNI / 36 / ANGLICÆ CAPTIVÆ / 10 / S H.* / 1578 [* S H = Salvationis Hominum]. A full-length portrait, turned slightly to the left, standing, wearing a widow's black dress over a cream coloured chemise, white lace ruff and head-dress, her left hand at her side, her right resting on a table covered with a red cloth.

Provenance

Inventory of the contents of Hardwick Hall made in 1601 and attached to the will of Elizabeth Hardwick, Countess of Shrewsbury (c.1520-1608); by descent until, following the death of the 10th Duke of Devonshire (1895 - 1950), Hardwick Hall and its contents were accepted by HM Treasury in part payment of death duties and transferred to the National Trust, in 1959

Credit line

Hardwick Hall, The Devonshire Collection (acquired through the National Land Fund and transferred to The National Trust in 1959)

Marks and inscriptions

Maria/D G/Scotiae/Piissima Regina/Franciae Doweria/Anno/Aetatis Regni/36/Angliae Captivae/10/D G/1578

Makers and roles

British (English) School, artist
possibly Rowland Lockey (c.1565 – London 1616), artist
after Nicholas Hilliard (Exeter 1547 – London 1619), artist
previously catalogued as follower of Hans Eworth (Antwerp c.1525 – ?London after 1578), artist

Related items

Place of origin England (245417)
Materials Oil paint (8301)
Wood (126623)
Category Paintings (12645)
Collection Hardwick Hall, Derbyshire (Accredited Museum) (5889)
Periods 16th century (6230)
17th century (32877)
Maker British (English) School (3756)
Rowland Lockey (c.1565 – London 1616) (11)
Nicholas Hilliard (Exeter 1547 – London 1619) (18)
Hans Eworth (Antwerp c.1525 – ?London after 1578) (31)
Subjects Mary, Queen of Scots (1542–1587) (42)
Object Type Oil painting (12451)

Record Status

Enhanced

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