Oil painting on canvas, Dug-Out (or Stand-to) by Sir Stanley Spencer, CBE, RA (Cookham 1891– Cliveden 1959), 1928. Spencer now transports us the first time to the Salonika front in Macedonia. He intended the thundercloud pattern of barbed wire to indicate a contrast between the threatening atmosphere of this scene and the relative domesticity of the preceding scenes. As they emerge from the trenches, the expressions of weariness and fear in the soldier's faces, except that of the sergeant in the foreground, makes this the most intense scene in the series. But the tension is relieved as some of the men realize what is happening behind them: they are looking beyond death towards the Resurrection on the East Wall.
The painting was developed as a later alteration. With removal of the proposed surgical operation painting from the scheme, and the repositioning of Kit Inspection to the now vacant space, a new painting was required. For this Spencer composed Dug-Out (or Stand-To) from an excerpt of The Resurrection of Soldiers.
Given with the chapel by John Louis Behrend (1881- 1972) and Mary Sandham Behrend (1884 - 1977), 1947
Makers and roles
Sir Stanley Spencer, CBE, RA (Cookham 1891– Cliveden 1959), artist
Stanley Spencer: Heaven in a Hell of War, Somerset House, London, 2013 - 2015, no.7
Bell 1992 Keith Bell, Stanley Spencer, A Complete Catalogue of the Paintings, Phaidon Press, London 1992, p.421
Carline 1978 Richard Carline. Stanley Spencer at War, London, Faber and Faber, 1978, p.184-5
Stanley Spencer (ed. Keith Bell), Royal Academy of Arts, London with Weidenfeld and Nicolson, 1980, p.106
Behrend 1965 George Behrend, Stanley Spencer at Burghclere, London, MacDonald, 1965, p.8-14
Robinson 1990 Duncan Robinson, Stanley Spencer, Phaidon, Oxford, 1990, p.44
Gough 2006 Paul Gough, Stanley Spencer: Journey to Burghclere, Samson & Company, Bristol, 2006, p.141-143