Thomas Noel-Hill, 2nd Baron Berwick of Attingham (1770-1832)
George Engleheart (Kew 1750 – Blackheath 1839)
Art / Miniatures
1790 - 1795
Watercolour paint on ivory, gold and glass
60 x 47 mmOrder this image
Attingham Park, Shropshire (Accredited Museum)
On show at
Portrait miniature, watercolour on ivory, Thomas Noel-Hill, 2nd Baron Berwick of Attingham (1770-1832) by George Engleheart (Kew 1750 – Blackheath 1839), circa 1790-1795. Oval. Head and shoulder portrait of a young man, wearing a black great-coat and white ruffles to the neck. Grey eyes, pink complexion and powdered hair. Plain grey background. Set in a plain gold locket. The sitter's apparent age and the style of his clothes suggest a date of 1790-1795, and the sitting may have been arranged to celebrate his 21st birthday.The miniature is a good example of Engleheart's work in the 1790's, but the Fee Books make no mention of it. Thomas Noel Hill, 2nd Baron Berwick of Attingham was born on 21 October 1770. He was the eldest son of Noel Hill, 1st Baron Berwick of Attingham and Anna Vernon. He was baptised at Atcham, Shropshire, England. He married Sophia Dubochet, daughter of John James Dubochet, on 8 February 1812 at St. Marylebone Church, Marylebone, London, England. He died on 3 November 1832 at age 62 at Naples, Italy, without issue. He was buried at Naples, Italy. His will was probated in August 1833. He succeeded to the title of 2nd Baron Berwick of Attingham,on 6 January 1789.He was educated at Cambridge University, Cambridge, Cambridgeshire, England. He was invested as a Fellow, Society of Antiquaries (F.S.A.) on 4 June 1801. As he had no children the title passed to his brother William. He travelled extensively in Italy, and while he was in Rome with Edward Clarke the latter recorded that “Lord Berwick is employing Angelica Kauffmann in painting and I am now selecting passages from the poets for her to paint for his house at Attingham.” .. ' he has left me to follow my own taste in painting and sculpture. I have ordered for him two superb copies of the Venus de Medici and the Belvedere Apollo [from John Deare?] as large as the originals. ..... In painting, I have selected two passages from Euripides, to be executed by Grignon; Freedom, from Chatterton's Ode, by Angelica Kauffmann; his portrait [m.u.], and another allegorical painting by the same artist .....” (William Otter, The Life and Remains of Edward Daniel Clarke, 1825, vol.I, pp.131-32). By 1794 when he returned to England with Clarke he had already amassed a considerable collection of pictures and was contemplating alterations to the house in order to hang them. By 1827 his extravagance forced him to sell the complete contents of Attingham, and this included all the pictures except for family portraits. Picture sales took place at Christie's, 17 and 30 November and 1 December 1827 and by Robins (Contents of Attingham) on 30 July. The extent of his collection, which was catalogued anonymously ('Property of a gentleman lately bought from a palace in Italy .... who has resided thirty years in Italy') can be seen from the fact that the sales at Christie's alone comprised 326 lots.
Probably commissioned by the 2nd Lord Berwick himself to celebrate his 21st birthday. Attingham collection; bequeathed to the National Trust with the estate, house and contents of Attingham by Thomas Henry Noel-Hill, 8th Baron Berwick (1877-1947) on 15th May 1953.
Makers and roles
George Engleheart (Kew 1750 – Blackheath 1839), artist