Cabinet on stand
attributed to Gerrit Jensen (fl.1667 – London 1715)
1672 - 1683
oak and pine, ebonised and ebony veneered, with marquetry of ebony, walnut, fruitwood, ivory and stained horn, brass mounted
80 x 116.5 x 45 cm
Place of origin
LondonOrder this image
Ham House, Surrey (Accredited Museum)
On show at
Cabinets may have been used to store 'curiosities' to show to one’s guests, but were more often a showcase of the craftsmen’s talent and the owner’s wealth and taste. This cabinet dates from 1675 and is the earliest inventoried example of floral marquetry in England. The naturalistic representation of flowers and fruit are cut from contrasting woods and laid onto the carcass. The woods were often dyed to create a greater range of colours and the green leaves on this piece are made from stained ivory.
A cabinet on a stand, circa 1675, probably by Gerrit Jensen, veneered with floral marquetry including ebony, walnut, stained fruitwood and ivory. The cabinet opens with a pair of doors to an interior with ten drawers centred by a small door revealing a further three small drawers. Each door is veneered to both sides with a marquetry panel depicting a vase of tulips, pinks, daffodils and other flowers with birds and butterflies raised on an half plinth or acanthus scrolls. The sides of the cabinet are similarly decorated. The panels are set in stringing lines. The cabinet is topped by a convex drawer with floral marquetry, a chevron-patterned border and a cornice. The base consists of a frieze with a long drawer similarly veneered with a border of chevrons, raised on a modern ebonised stand. Gerrit Jensen was supplier of veneered furniture to the Duke and Duchess of Lauderdale as per records of payments from May 1672 until October 1683. Three marquetry tables (NT 1140043, NT 1139923, NT 1139568) and a mirror (NT 1139551) at Ham are also thought to be his work. Gerrit Jensen most probably came from Holland and settled in London before 1667. He is known to have supplied fine marquetry furniture to the court and prestigious patrons from the 1680s. In 1670s floral marquetry was a novelty and according to Reinier Baarsen this furniture at Ham suggests that floral marquetry was the speciality with which Jensen conquered the London clientele a few years later. Most likely a Dutch-born cabinet maker, he would have brought the art of floral marquetry with him, introducing this technique in England such as Cornelius Gole, following Pierre Gole (c.1620-1685) in Paris and Leonardo van der Vinne (active c.1659-1713) in Florence.
Possibly the cabinet 'inlaid with wood' listed with a table, a mirror and stand listed in Lady Maynard's Bedchamber in the 1683 inventory. Acquired in 1948 by HM Government when Sir Lyonel, 4th Bt (1854 – 1952) and Sir Cecil Tollemache, 5th Bt (1886 – 1969) presented Ham House to the National Trust, and entrusted to the care of the Victoria & Albert Museum, until 1990, when returned to the care of the National Trust, and to which ownership was transferred in 2002.
Makers and roles
attributed to Gerrit Jensen (fl.1667 – London 1715), cabinet maker
Baarsen 2013: Reinier Baarsen, 'Seventeenth-Century European Cabinet-Making at Ham House" in Christopher Rowell (ed.), Ham House 400 Years of Collecting and Patronage, Yale, 2013, pp.194-203, p.194-203